Meet Claudia Vogel who has kindly agreed to being Opera Couch's first-ever guest blogger.
Claudia -- or Clia -- is a communications expert specializing in texts that are understandable for everyone, especially those without formal or higher education, people with learning or language difficulties or people suffering from dementia.
She gives workshops and develops in-house concepts for "barrier-free" communication within companies.
For the first-ever Opera Couch, Staatstheater Mainz has generously agreed to make available two tickets for a performance of Don Giovanni in a new staging by Tilman Knabe.
Clia, what are your musical interests?
That changes constantly. As a child, I loved Mozart. My current favourite is Vaughan Williams.
Last winter I was totally obsessed with Naji Hakim. And in the summer I became huge fan of Florence and the Machine.
I never had the opportunity to really get involved with music. A lot of what I discover is through friends. And nowadays YouTube is a good way to explore and get to know new music. A few mouse-clicks and a whole new sound world opens up to you.
Do you sing or play an instrument?
No, unfortunately not. My mum was a single mum, so there was never enough money for music lessons. That was always the cause of a drama and tears at the start of every new school year, right through until I was teenager. But there was nothing that we could do about it.
Later on, I never found an opportunity to learn to play an instrument or take singing lessons because I was too tied up with my job.
Do you have any experience of opera?
I like opera, but it's not part of my everyday life.
What operas have you seen? What did you like about them and what didn't you like?
We saw Freischütz at school because it was part of the curriculum in Bavaria. At uni, one of my fellow students dragged me to see Salome in Frankfurt. And I shared a flat with a directors' assistant at the Staatstheater Wiesbaden where I got to see Die Zauberflöte and Eugen Onegin. In that respect, you could say I developed a bit of a taste for opera.
I also saw Carmen once but I walked out at the interval. I can't remember why.
Nowadays I watch opera on YouTube or on television. I recently learned about a livestream from Munich via Twitter. That is something I'll have to keep more of an eye out for in future.
As for live opera, I live in Wiesbaden where the audience is too conservative for my taste. I simply don't feel comfortable there.
What is it that prevents you from going to opera? What would have to change so that you would go more frequently?
I'd need more free time so that getting there wouldn't be so much of a problem.
With Opera Couch, you'll be seeing Don Giovanni in Mainz. Will you prepare for it in any way? How?
I've read a few reviews so far. I hope I'll be able to watch the trailer on the website beforehand so as to have a better idea what it's all about.
If there is an introductory talk will you go?
I won't be able to make it.
One of the most frequent complaints is that opera is too stiff and too formal and the audience is too snobby. Do you think people should dress up to go to the opera, or should they go in jeans and a T-shirt if they want to?
I think the most important thing is to feel comfortable, both in yourself and in what you're wearing. Otherwise you won't really be able to enjoy it.
What do you hope to gain from Opera Couch?
To be honest, I asked to go on Opera Couch because I liked the idea of doing something special before my next birthday. Something I wouldn't normally get to do.